Showing posts with label Civil War. Show all posts
Showing posts with label Civil War. Show all posts

Sunday, July 1, 2018

On "Civility"


Yesterday, I marched in downtown Los Angeles against the Trump administration's policy to separate immigrant children from their parents at our "border." I joined tens of thousands of other Los Angelenos on a beautiful southern California afternoon in protest of our government separating thousands of children in what appears to be a systematic form of child abuse and crime against humanity.


America is not a great country at this point, if it ever was, and anyone who's arguing for more civility is deluded and naive. My friend, the great writer Lidia Yuknavitch said the other day on her social media account that civility has always been determined by those in power. 

Civility has always been defined by those in power.

We have babies in cages on our "border" (not to mention the dismantling of environmental laws to protect the planet, the specter of women losing reproductive rights, the vilifying of the press, the collusion with world dictators, the Muslim ban, the racism that permeates literally every single directive from the POSPOTUS and his enablers) and are being told, even by those on our "side" (Bernie Sanders, Nancy Pelosi, Chuck Schumer, etc.) that it isn't "American" to deny someone like the lying press secretary a peaceful dinner in your restaurant. This doesn't settle with me -- and not the so-called lack of civility.


What, exactly, does civility mean, and how has it been defined in this country from its very inception?


These aren't rhetorical questions but, rather, real ones that are if not tormenting me than at least filling up my mind to the extent that I feel near anguish. The anguish comes, I think, because the situation at hand calls for so much self-reflection -- so much probing of one's interior, one's ego, one's impulse to be right. I say one's because I imagine it's true for a lot of people, particularly those of us who are privileged (and I don't mean economically; I mean white). What does it even mean to be a good person, to act with civility when the very definition of the word has been determined and defined by those in power?

The center does not hold.



I feel the same way when I read arguments against what white men call "tribalism" or "polarization." Honestly?

I got into an argument on a friend's thread on Facebook -- not with the friend but with one of his "friends." I've sparred with this guy before, and while I'd like to make him irrelevant by not even engaging with him (his comments are nearly always dull and condescending with that overwhelming sarcasm and fake irony that marks the intellectually lazy), I'm learning through the engagement what it takes to be truly disobedient. Or maybe what it might take to be truly disobedient to the mores and definitions of civility that not only our ancestors but also our contemporaries demand.

Again, I'm just thinking about these things. I am certain of very little.

I'm a person who has trouble even uttering the word fuck, mainly because of the way I've been brought up, yet in uttering the word fuck I alienate even my own parents whom I love.



The person with whom I sparred on Facebook responded to my call for civil disobedience by asking whether I was prepared to be violent against my fellow citizens because being disobedient might cause a schism like we haven't seen since the Civil War. He asked, "Prepared to defend and even harm others if need be?"



I answered, "I will personally not commit acts of violence against any human beings, but I am prepared to stand against anything. That means anything. Absolutely. There are plenty of examples of peaceful and resolute civil disobedience across history. It's not a matter of "winning" or "losing." I align with those people. When and if my rights as a woman are compromised as they very well will or might be very soon, I will stand against that and for other women, minorities and the disabled."

I added, "The path to change is seldom polite. And the definition of civility is generally set by those in POWER."



The guy responded, "The definition of civility in this country was originally established when the first inhabitants began following the codes and mores of western civilization, along with the principles of the rule of law. Men opening doors for women, pulling their chairs out. You know that kind of demeaning, misogynistic behavior ya'll are so eager to abolish in favor of...I don't know what. Hip hop?"

If I had one, I'd rest my case. 

Mull on that, Reader.




 What Kind of Times Are These
By Adrienne Rich
There's a place between two stands of trees where the grass grows uphill
and the old revolutionary road breaks off into shadows
near a meeting-house abandoned by the persecuted
who disappeared into those shadows.

I've walked there picking mushrooms at the edge of dread, but don't be fooled
this isn't a Russian poem, this is not somewhere else but here,
our country moving closer to its own truth and dread,
its own ways of making people disappear.

I won't tell you where the place is, the dark mesh of the woods
meeting the unmarked strip of light—
ghost-ridden crossroads, leafmold paradise:
I know already who wants to buy it, sell it, make it disappear.

And I won't tell you where it is, so why do I tell you
anything? Because you still listen, because in times like these
to have you listen at all, it's necessary

to talk about trees.

 



Tuesday, September 3, 2013

My Syrian Grandfather

Here is my Syrian grandfather and his family, in the early part of the twentieth century. I don't know whether they had left Syria, yet. My grandfather Charles is the young man on the far left, in the back row. I have always been enamored of the woman on the right's wasp waist. I believe she might be my Aunt Hafeezah, remembered for her plastic-covered furniture, dusty hard candies and wet kisses. My grandfather immigrated to the United States in 1907. I am told that he was very handsome, then, so handsome that as a lifeguard on Coney Island, he was picked to be an extra in a Valentino film. He died when I was sixteen, so my memories of him are not clouded. He smoked unfiltered cigarettes-- a lot -- even after lung cancer and the removal of part of his lung. He had strong and often angry views, would holler about them with his children (my mother and my aunts and uncle). He was loud, cursed in Arabic (in fact, the only Arabic word I know is shit, pronounced a guttural cutta). He pushed meat through a meat grinder attached to the kitchen table, grew eggplants and string beans in a backyard garden and called me Rosalita because I looked like the other side, my father, the Italian Catholic who married his youngest daughter.



This is a picture of my Mississippi grandmother and her family. My grandmother, Ida Mae, is the little one in the front, shielding her eyes from the sun. She grew up on a cotton farm in the Delta. All of her brothers had Biblical names, and I believe the baby in her mother's arms is my Aunt Bessy Lucille who married a man named Artie when they were around fourteen years old. Aunt Bessy and Uncle Artie were married for nearly seventy years, I think, and I remember they were always holding hands. My grandmother died when I was around 38 years old and she was 92. She was tall and graceful, soft-spoken and dear, the definition of a lady. She told us stories in her soft southern accent, stories of growing up in the south, how she was bitten by a snake, how her brother cut the spot, sucked the blood out and then ran through the fields to get her father. She had pale blue eyes, suffered from macular degeneration in her old age, had a tinkly, gentle laugh.



So, this man


met this girl



when he was a traveling salesman, peddling lingerie in the south. He married my grandmother when she was eighteen years old and took her back to Brooklyn, where she lived with him and his mother, at first. Ida Mae learned how to speak Arabic, cook Arabic food and then raised five children in a tiny brownstone in Brooklyn. When I asked her many years later why she'd married Grandpa when she was so young, she told me Well, honey, he was tall, dark and foreign.

I'm telling you this story now because I can't get them out of my mind these days, particularly as I watch and listen and read about the conflagration in Syria. I am one-quarter Syrian. That quarter is from the city of Homs which has been in the news of late as one of the tinder boxes of the civil war there. My grandfather Charles was a Christian Arab who fled persecution with his family more than a century ago, and he never let us forget whose side he was on, barking his views from the Barcalounger he seemed to be reclined in for my entire childhood. Israel, Palestine, Jews, Muslims, Christians -- these were words I heard over and over on those weekends my cousins and I ran through the house and outside to the garden, or sat and colored while our grandmother shaped raw lamb into kibbeh and our aunts and uncle argued.

I don't know what to think about the whole thing other than it's a fucking (there's really no other word) tragedy of a colossal scale. Pure madness. All of it. I can't say I feel comforted to see President Obama sitting grimly next to John McCain as they collude on how to persuade our legislature to vote that we strike Syria. I can't say that I agree with them. I don't see the sense of bombing as punishment. I can't say I feel neutral, either, when I read of hundreds of thousands of people brutally murdered, citizens of one country killing one other barbarically and millions displaced, wandering.

I remember the fighting and yelling in my own extended family, though, over what seems like the same old shit.

Pure madness. All of it.

I don't know if I have any relatives in Syria, but I imagine someone whose blood and genes I share is running around there, throwing rocks or bombs or fleeing with her children to neighboring countries or even receiving the gas meant to kill from her own government.

I don't know what to think.

غائط
(Arabic for shit)



Sunday, November 11, 2012

Dulce et Decorum est

Civil War family via Dream Dogs Art

I never have much to say on these holidays that memorialize soldiers and war and killing and dying. I shirk from expressions like freedom isn't free. I feel a roiling conflict when asked to honor the soldier and not the war and risk the censure of those who take to these easily. I might even envy them. I don't begin to understand the life of a Marine, the dedication, the camaraderie, the duty. I saw the movie Lincoln this weekend and was struck, again, by the simpler brutality of the Civil War when men fought against men, most of the time, in hand to hand combat. It is at once heroic to watch and absurd. I also happened to read an article in the New Yorker magazine called Atonement about a very young Iraqi veteran tortured by a debacle in 2009 when his unit in Iraq opened fire in a street battle and brutally murdered members of a family, including a baby. He eventually tracks down the remaining members of the family and asks for forgiveness, which they give to him, but the cost of this atonement took my breath away. Over 4,000 American soldiers died in Iraq and over 150,000 Iraqis died. This morning, the Los Angeles Times newspaper includes an article titled 2 Wars, 11 Years, 725 fallen Californians. The article states that 41% of these soldiers who died were not yet 22 years old. Sixty-three of them were still teenagers. Those numbers don't make me feel proud; they make me feel ashamed. No, freedom isn't free, but sending boys away to fight and kill never works, has never worked and will never work. On Veterans' Day, I will honor those who have fallen and those who have had to kill others in the name of freedom or liberty or God, but I feel sad for just about everyone.



Dulce Et Decorum Est

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!-- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.--
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori


Wilfred Owen (1893-1918)

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