Showing posts with label Eduardo Galeano. Show all posts
Showing posts with label Eduardo Galeano. Show all posts

Saturday, January 17, 2015

Saturday Night Mermaids

woodcut by Jose Luis Borges


I really don't have much to post tonight, but I needed to post the above piece of art that Angella sent me via email. She said that it evidently hangs in the International Folk Art Museum in Santa Fe. It looked vaguely familiar, but I couldn't put my finger on it until I realized that J Borges, the artist, is Jose Francisco Borges, whose woodcuts illustrate this amazing book called Walking Words by Eduardo Galeano that I've owned for some years and periodically dipped into to marvel at and exclaim over. Here's a snippet:

Windows on the Sea

It's not fixed in one spot. The fate of mountains and trees lies in the
roots, but the sea, like us, is condemned to a wandering life.
   Sailors at heart: we men of the coast, are made of sea as well as
earth. And we know it well, even if we're unaware of it when we
navigate the waves of city streets from cafe to cafe, and travel through
the mist toward the port or shipwreck that awaits us tonight.


Here's another one:

Window on a Woman (III)

No one could kill that time, no one: not even ourselves. I mean: as
long as you are, wherever you are, or as long as I am.
   The calendar says that that time, that short time, no longer exists;
but tonight my naked body is oozing with you.

Wednesday, June 19, 2013

Adaptive Tricycles, Eduardo Galeano and Missy Slick

 Missy Slick, a reader of this blog and great graphic artist sent me an email describing what sounds like a wonderful book by Eduardo Galeano, called Children of the Days: A Calendar of Human History. This morning, Oliver and I just so happened to have cleaned off the adaptive trike rusting in our backyard and taken Sophie for a ride, so here's an example of quite perfect synchronicity:


\
June 19th 
DANGER: BICYCLES!

"I think bicycling has done more to emancipate women than anything else in the world," said Susan B. Anthony.

Her companion in the struggle, Elizabeth Cady Stanton, said,  "Woman is riding to suffrage on a bicycle."

Certain physicians, like Phillipe Tissie, warned that the bicycle  might provoke abortion and cause sterility, while their colleagues insisted that this indecent apparatus might lead to depravity because it gave women pleasure when they pressed their intimate parts against the seat. 

The truth is the bicycle gave women mobility, allowed them to leave the house and enjoy a dangerous taste of freedom. And it was the bicycle that sent the pitiless corset, which impeded pedaling, out of the clothes closet and into the museum.



Word is, too, that the Duet is being shipped to us this week!

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