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| Urs Fischer exhibit at MOCA, Los Angeles, 2013 |
Nashville, 1988
A bed, a boat, it's all the same. She lay on the bed pushed against the wall, her back flat, sheets kicked out of the way. He lay beside her, hands folded over his chest. It was hot. The sun was high in the sky, visible from the bed. It was golden brown with fuzzy edges leaking into gray sky. The Laotians in the house behind them were cooking. I think it's dog, he said. She closed her eyes, ran a finger (she had long fingers) down, drops of sweat between her breasts. The air conditioner had fallen out of the window and lay in the dirt below. He had strained and cursed at the machine. The window didn't hold. They had laughed themselves silly, the bed a boat that rocked.
Nashville, 1990
That place was always in shadow. The bed was dark and wide, a mattress covered, no top sheet. Sometimes they started on the black couch in the front room. She was a silhouette, naked, sinuous (she had long arms and legs). He traced her. She looked over his shoulder out the window. A tree, bare of leaves, its thin branches reaching up, out of view, a tattoo on glass. Later, she lay on the bed and he smoked in the kitchen, leaning on the stove, holding the cigarette just under the fan, its cheap, electric hum.
New York City, 1992
Her bedroom was downstairs in the basement of the brownstone. It was carpeted, damp, quiet. A boy named Daniel walked through hers to get to his so she had set up a screen at the end of the bed. The sheets were expensive because she worked overtime, time and a half. He lit a candle before they started. It was winter. They were under the covers. She closed her eyes, head back. Was there a crackle? She opened her eyes, a blaze of light behind him over her. Fire! she shouted and they beat it back and out. The quilt had a hole burned through it as big as her hand (she had large hands), the edges charred.
Los Angeles, 2013
She wandered through the gallery, amused. Boxes placed here and there, drips of cement, a string of real fruit, a house made of bread, real bread, Persian carpets crumbed. Blue raindrops fell in a slant. The corner of her eye (she had large eyes) caught a bed, alone, a boat bent, black smudges on a wall. The bed was bent, alone. She closed her eyes, folded into it, on it, over and under it, the grey sludge of cement spilling.
