Showing posts with label Louise Erdrich. Show all posts
Showing posts with label Louise Erdrich. Show all posts

Sunday, April 19, 2020

All Things Bookish



I read this today from Louise Erdrich's new novel The Night Watchman:

And Patrice thought another thing her mother said was definitely true -- you never really knew a man until you told him you didn't love him. That's when his true ugliness, submerged to charm you, might surface.

Oooh boy. 








On Friday night I joined a virtual silent reading that I heard about from my beloved friend, poet Heather McHugh. The thing originated at a hotel somewhere in Seattle and was a yearly affair where you basically showed up, I think, at the hotel bar, alone with a book. And then that was it. You sat at the bar or in the bar at the little tables and just read your book. Alone. For two hours. While a man played the piano. You could drink and eat little plates of food, but mostly you read and looked up and around at the other solo people reading and what they were reading. And then back down at your own book. So, this year given The Pandemic, the Silent Reading was virtual. I signed up, paid a small donation and joined the Zoom thing at 6:00 on Friday night with nearly 300 people. Reader, this is the kind of thing that makes me truly and perfectly happy. It's the ultimate reading dream. I made myself a plate of sheep's milk cheese, crackers, soppressata, french fries, olives and a glass of wine. I read The Night Watchman and I read from Sharon Olds' new collection titled Arias. I peered at the tiny thumbnail portraits of all the people sitting in their homes reading. I lay my head back on my chair and closed my eyes and listened to the piano music that poured out of this guy for the entire two hours. I saw Heather's smiling face in early evening light and the book she was reading, something by Borges and once again felt overwhelmed by her beauty and what she's brought to my life since I've met her. Understanding. Humor. Caregiving. Poetry. She's got a fabulous new website/podcast thing going in anticipation of her new book of poems, Muddy Matterhorn.  Check out her sound files here.





What else? I guess the usual -- vacillating between a strange ennui and ridiculous industriousness. Noticing everything that is ugly and stupid and false about our country in particular and so not anything like or ever has been shining on a hill even as the oak hydrangea flowers chartreuse, the acacia tree leafs out, the succulents thrust their onanistic blooms three feet in the air overnight and the hummingbirds clash with one another in irritation or ecstasy who knows but the bees are profuse and there's a Coopers hawk nesting in my neighbor's tree, the Orthodox family next door has five laughing screaming children and the Los Angeles sky is empty of planes. A loved one misunderstands who I am or confirms again that I am not known, digs around in an old place only just barely buried under dark dark earth. I worry for my sons, vacillating like me between ennui what's the point, confusion, and the delight of new recipes (a lemon-parmesan emulsion for pasta!) Their dark brown eyes. I imagine how the world might use two incredibly beautiful men with hearts as big as the sky. I dream of firemen not doctors.

Monday, April 30, 2018

Let's Talk Books



I'm on a bit of a reading binge these days -- a sort of defiance of the general zeitgeist of distraction, hysteria and just general shitshow stuff. 

Reading, I've said many times, is my only constant.

I've just started Louise Erdrich's Future Home of the Living God. It's too early to say whether I love it or not, but I'm having a rocky start given the genre. I'm not a person who enjoys the dystopian novel or even fantasy, so it might be hard going. We'll see (or read). I just finished Cynthia Bond's novel Ruby which was lying around my house for many years. It has some amazing lyrical passages in it, but overall I found it overwrought. Obviously, this is subjective, but as I get older I find that I like things stripped down to the essential. Lisa Halliday's novel Asymmetry was riveting for me, a kind of meta-fiction thing going on (shoot me now for even using the word meta) and stripped of sentimentality. I found the story really interesting and sexy and was blown away by the structure and writing. Jesmyn Ward's Sing, Unburied Sing was perhaps the most beautiful book I've read in years -- brutal, spare, lyrical and transcendent at once. If you look over there on my righthand side-bar, you'll see a list of all the books I've read so far this year -- when I glance at it, I'd say that Jesmyn Ward's Sing, Unburied Sing and Jamie Quatro's Fire Sermon were my favorites. Quatro is one of those writers who appears to have been living in my brain taking notes.

Up next, after the Erdrich, is poet Robert Hass' A Little Book of Form and maybe simultaneously Celeste Ng's Little Fires Everywhere. I'm also making my way through a pile of New Yorkers.

Reader, what are you reading?

Friday, April 4, 2014

After the shower, "that closet stuffed with savage mementos"



I feel a bit like that spider looking in on a scene of great intimacy. Don't ask me why. I stepped out of the shower and saw it there, still, quiet, perhaps lethal. Yesterday's adrenaline is today's hangover. The illusion of content (emphasis on the second syllable) as well as anticipation.



Advice to Myself 

Leave the dishes.
Let the celery rot in the bottom drawer of the refrigerator
and an earthen scum harden on the kitchen floor.
Leave the black crumbs in the bottom of the toaster.
Throw the cracked bowl out and don't patch the cup.
Don't patch anything. Don't mend. Buy safety pins.
Don't even sew on a button.
Let the wind have its way, then the earth
that invades as dust and then the dead
foaming up in gray rolls underneath the couch.
Talk to them. Tell them they are welcome.
Don't keep all the pieces of the puzzles
or the doll's tiny shoes in pairs, don't worry
who uses whose toothbrush or if anything
matches, at all.
Except one word to another. Or a thought.
Pursue the authentic-decide first
what is authentic,
then go after it with all your heart.
Your heart, that place
you don't even think of cleaning out.
That closet stuffed with savage mementos.
Don't sort the paper clips from screws from saved baby teeth
or worry if we're all eating cereal for dinner
again. Don't answer the telephone, ever,
or weep over anything at all that breaks.
Pink molds will grow within those sealed cartons 
in the refrigerator. Accept new forms of life
and talk to the dead
who drift in though the screened windows, who collect
patiently on the tops of food jars and books.
Recycle the mail, don't read it, don't read anything
except what destroys
the insulation between yourself and your experience
or what pulls down or what strikes at or what shatters
this ruse you call necessity.


Louise Erdrich
via The Writer's Almanac



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