Hitting Jesus

Street Art
Los Angeles

I almost hit Jesus today. Of course at first he came as a Man. I mean -- I didn't know he was Jesus or think he was Jesus. He was a man riding a beat-up bike on La Cienega, and I was driving my car toward a sick friend's house near the airport. I was bringing her a pastrami sandwich and some french fries, planned to stop and get a grape soda. He had long black curly hair and brown skin. He didn't have a shirt on and his pants were dirty and rolled up, but I think that was so they didn't get caught in the spokes. He darted out in front of my car and it seemed purposeful, not like a death wish but more to get my attention. There are days on the streets in Los Angeles where it seems like you narrowly miss death more times than twice (because haven't we all narrowly missed death at least once?), and today was one of those days. You've got to really concentrate when you drive in Los Angeles, but you can also daydream, and it's easy to get complacent when the cars are backed up and you're moving forward by inches. It's a little like going to mass, when you're kneeling and sitting and standing and saying the prayers but you're also thinking about what you're going to eat when you get home or whether you'd rather be the saint that defied everyone and was burned as a witch or the one who carried Jesus' cross on her back up the hill. Escaping death would include nearly killing someone else accidentally as well, because let's face it. Life as you knew it would be over if you accidentally hit someone with your car. I jammed my brakes and looked straight at him, a curse on my lips, but then he looked at me with his dark brown eyes and I knew it was him. Jesus. I'm not religious, you know. I don't even believe in God the Creator. I say I believe in Love, but that sometimes seems forced. As a Catholic child, I was certain that Jesus would come back dressed like a beggar and fool everyone, but I also fantasized about living in an orphanage on cold English moors, so I'm not reliable that way. This all happened in an instant -- the man on the bike, me slamming the brakes, a curse on my lips that was really Jesus! and it was him. A psychic hit, is what I call it. Because why the hell would I have thought the man was Jesus if he wasn't? Isn't that the way he's coming again? Or is he just out there, biking around with no shirt, his pants rolled up to avoid accidents, making eye contact with the needy.

and she shouted, "Bravo!"

Girl on the Flying Trapeze, 1936 Julia Thecla

her ethereal and sensuous portrayal of dreams, fairytales, and planetary realms were extraordinary explorations of alternative social orders.

DePaul University Art Museum, describing Julia Thecla 

I watched Wings of Desire the other night on a bed in a dark hotel room for the thousandth time, had forgotten the black and white film turning to color every now and then. We are black and white yet both see color, now and then, but this was after and one of us dreamt (him) and the other knew every word (her). Now and then. The German faces, the wide smile, the tilted head, the closed eyes. There's something spiritual in the library's murmurs, the way the angels walk among books, heads bowed over them. Wings on a bronze statue, a wall that divides Berlin. An angel lays his head on the man's shoulder, yet the man jumps over anyway and the angel screams. The desire for life. The woman on the flying trapeze, how later she shrugs out of her robe, her back, sinuous. The desire for love, to love. Even before I swung above the crowd myself, then, I was told you've an amazing back. I've a memory like a trap. I remember every word. You've an amazing back, he said. Now. Twice I've been told, then and now.

This morning Sophie groaned in her sleep before dawn, and I ran into her while she seized. It was a violent one and I was smacked in the face by one of her arms. I bent over her, gathering the limbs, what flies. I've walked the rope and swung on the trapeze, so many little people below. My back is strong. It never hurts. I don't feel gentle toward the situation in some moments. I don't feel gentle toward her. It's where I leave off and she begins and there's a space there filled with nothing. When I gathered her in my arms, limp now (then), a pieta, I did cry. And cry. And cry. And cry. She was spent and it cost me tears which are, in comparison, nothing.

The dog barked once and a package was thrown through the slot of the front door, made a thump. I left Sophie to go and pick it up, a small but heavy box from Seattle. Inside, a heavy book, The Complete Poems of Anna Akhmatova, translated by Judith Hemschemeyer. A pink Post-it over the crook of the poet's nose:

Dearest Adorable --
Reach for this
volume when
you most need
to counteract
the crazy.

❤️️  Leslie  xo

Yes, I took it as sign.
The signified and the signifier.

I seem to myself, as in a dream,
An accidental guest in this dreadful body. (Anna Akhmatova)

Several hours later, with no prompt from me, I received a picture of a painting on my phone, a girl on a trapeze, awkward yet strong.

I am thinking of you, she said (Tanya, my friend, not the girl). I asked her (Tanya, not the girl), Who painted this? 

Julia Thecla, Tanya said, I love her. 

Thecla is a forgotten Chicago painter of the 1930s and 1940s, in the school of magical realism. I did not know her.

Magical realism, a literary genre to which I have been drawn (then) -- Marquez, Borgia, Allende -- is also a genre of art, I learn (now). There are details (Sophie's groan, her bed, the seizure, her arms, my back, my tears, her limp body) that are real and then something strange, unbelievable  (the thump, the package, the Akhmatova, the note, the painting, the girl on the trapeze, ), through a hole in the door, via air.

I fly through the air with the greatest of ease

I Wonder if Slava is Looking for a Room-mate

Photographer: Evgenia Arbugaeva

Slava Korotki is described as the most cut-off man in the universe. Except for the  problem (for me) of the extreme northern position of his home on the edge of Russia and the Arctic, and those frightfully short winter days, I've a hankering to join him. I thought about it even as I dragged myself to Trader Joe's today and joined the literal throngs of people waiting in line to buy stuff. I imagine I could make a pretty decent matchstick house or two, maybe a castle or one of those lonely wooden towers that Van Morrison crooned of in Purple Heather. You can't go anywhere in Los Angeles, and I mean anywhere, without seeing some of the most destitute people living on the streets, under bridges, in shopping cart villages. The other day, as I pulled out of a gas station and waited at a light, I found myself staring at a man trying to light a match to the contents of a tin can. It was the first chilly morning in forever, my car sat idling. At home, a house rich in the accoutrements of 2015, the buzz of workers creating a drought-tolerant landscape, a saint who helps to tend Sophie yet is desperate for more work.  I closed my eyes and imagined myself stopping the car, stepping out, closing the door behind me and oblivious to the honks and shouts of the others, walking toward him, abiding there. City of Angels. Slava is a weatherman, and according to the woman who wrote the article, he  doesn’t have a sense of self the way most people do. It’s as if he were the wind, or the weather itself.