Showing posts with label film. Show all posts
Showing posts with label film. Show all posts
Thursday, January 23, 2020
Crip Camp
Ya'll! There's shit, and then there's holy shit! The shit-show that is our country is digging our grave, planting rue, but there's this Obama-financed film to look forward to, and I've watched the trailer about five million times and have felt such a surge of energy, I don't know what to do with myself.
Here's to the raucous ones, to the institutionalized, to the shy ones, to the angry and the disenfranchised, to the trailblazers, to our children and those that came before them. Oh, yeah -- and to the music.
Here's a cool review.
Saturday, December 15, 2018
Saturday Morning Three-Line Movie Review
If Beale Street Could Talk
Every scene in this gorgeous movie is a work of art, subtle and beautifully lit, suffused with warmth and love, and there are eyes everywhere, eyes that look out at you and eyes that you look into and eyes that look at one another. The movie is heavy, so heavy that you can't get out from under while watching it, the under that is the history of black people in America, the under that is white supremacy, a smothering blanket, and the director, Barry Jenkins, spares nothing in his literal spareness. You can hold your breath while watching it, you can feel the love emanating from the lovers, from the families, from the shadows and darkness, but you just can't get out from under the grief, the loss, the suggestion that love is sometimes just not enough.
Crazy Rich Asians
BlacKkKlansman
Far From the Tree
Sorry to Bother You
RBG
Won't You Be My Neighbor?
Learning to Drive
Love and Mercy
Not a Three Line Movie Review
While We're Young
Ida
Force Majeur
Gone Girl
Saint Vincent
Get on Up
Begin Again
Chef
The Immigrant
Cesar Chavez
The Grand Budapest Hotel
Gloria
Labor Day
Philomena
BlacKkKlansman
Far From the Tree
Sorry to Bother You
RBG
Won't You Be My Neighbor?
Learning to Drive
Love and Mercy
Not a Three Line Movie Review
While We're Young
Ida
Force Majeur
Gone Girl
Saint Vincent
Get on Up
Begin Again
Chef
The Immigrant
Cesar Chavez
The Grand Budapest Hotel
Gloria
Labor Day
Philomena
Monday, September 10, 2018
The Limitations of the Tiny Little Mother Mind™ and #SeezJahBoy
It's a big world.
That's what I tell myself when I read about or hear about things that are otherwise incomprehensible. It's a big world, I thought when I read about plushies in a Vanity Fair magazine in the last millennium. It's a big world, I thought when I actually ran into a plushy convention at a resort hotel in Orlando where I was attending a children's healthcare convention. It's a big world, I thought, when people started talking about reality shows and women being famous for being famous, It's a big world, I thought when Arnold Schwarzenegger was governor of California, and it's a big world, I thought, when certain celebrities insured their famous asses, literally. It's a big world, I think, when people get all geared up for the season of bashing brains into dementia, otherwise known as football. It's a big world, I thought when people -- some of whom I actually know and love -- voted for and continued to support Donald Trump, even after he imitated and mocked a disabled man and bragged about his prowess grabbing women's pussies. That one was a stretch, to tell you the truth.
A lot of people are excited about last night's Miss America pageant -- how Miss Michigan, a blonde Barbie doll, made a comment about the bad water in her home state and appears "woke" in the newest sense of the word, and Miss New York, a black Barbie doll, won the prize. It's a big world, I'm thinking, wondering how in 2018 we still have beauty pageants (although I've read they're no longer "beauty" pageants, and there's no more bathing suit competition). What's that expression? Whatever floats your boat?
Anywho.*
My tiny little mother mind™ was seriously taxed today when I learned that Netflix released some movie called The After Party that's getting all the raves. Evidently, the main character has a seizure (after smoking marijuana) while rapping on stage, projectile vomits and falls to the ground writhing. The moment is captured on video, it goes viral, he's called "Seizure Boy," and soon everyone is doing the #SeezJahBoy dance.
This is comedy.
Sigh.
Where do we start? The young man who plays the character is an up and coming rapper and has a bazillion followers on Instagram. He sees himself, ironically, as a bullying advocate. People with epilepsy are commonly bullied. This is a fact. I know countless people whose children have been bullied, have been mocked and derided when they've had a seizure in school. The stigma of epilepsy is still so strong that adults with epilepsy often don't tell their employers that they have it. Teenagers with epilepsy are often at higher risk for anxiety and depression, and much of that can be attributed to our culture's ignorance of the disease.
So, yeah, back to #SeezJahBoy. Despite condemnation from different news sources and epilepsy and seizure awareness foundations, the hashtag is viral at this point. I have heard from good friends in the epilepsy community that when people go in to these conversations on Twitter and Facebook, in an attempt to counter the ignorance, they are being called trolls or "racists" (because the movie is predominantly by black people). How many people did this show have to go through to get put on the air? Are we overly sensitive as parents of children with epilepsy or individuals with epilepsy? Do I think the show should be pulled? To tell you the truth, this sort of thing so taxes my tiny little mother mind that I think nothing at all. I don't have the energy to think about some stupid movie that makes a mockery of people with epilepsy. I don't give a fuck about the writers, the editors, the sound people, the young actors and wannabes that made this movie. There is no big world that holds such shit. The big world shrinks in to a dot, and that dot is a portal to my house where my epileptic daughter sits in her wheelchair, the little vein in her forearm penetrated by a needle that brings an infusion of antibodies to her brain, so many antibodies that they literally flood her brain and dilute out the bad antibodies that have been wreaking havoc, causing her to seize, near constantly, in her sleep and subsequently destroying her ability to walk and eat and move in the world.
Dance on, #SeezJahBoy people.
The world is ugly,
And the people are sad.
Wallace Stevens, Gubbinal
*New Readers should know that I hate this expression and only use it facetiously.
Sunday, July 8, 2018
Sunday Morning Three-Line Movie Review
I didn't know anything about this movie except that it looked very cool and very funny in the way that young people are very cool and very funny only some of the time, but this movie was very cool and very funny the entire time, not to mention wildly entertaining and perhaps even brilliant. Watching it was like taking a ride or, rather, being taken on a ride before which you've been given some perfect drug that enables colors to be brighter, music to be more rhythmical, and people's eyes to be like portals to their souls, and then it illustrates the world as it is now, in this moment, even more surreal than you might have already thought it to be. Boots Riley has made a movie that's both surrealist capitalist nightmare and comedy, and he does it in a way that makes white people squirm because, in the end, it's about that -- us.
More 3-Line Movie Reviews
RBG
Won't You Be My Neighbor?
Learning to Drive
Love and Mercy
Not a Three Line Movie Review
While We're Young
Ida
Force Majeur
Gone Girl
Saint Vincent
Get on Up
Begin Again
Chef
The Immigrant
Cesar Chavez
The Grand Budapest Hotel
Gloria
Labor Day
Philomena
Friday, June 29, 2018
Friday Evening Three-Line Movie Review
As I sat and watched the documentary RBJ about the life of Supreme Court Justice Ruth Bader Ginsburg, I couldn't help but think about the dead journalists, the babies in cages, the piles of black bodies dead or in prison, the tainted water of Flint, Michigan, the taxes in the form of tariffs, and, of course, the reproductive rights of women, particularly those who are poor or minorities. The movie demonstrates with startling clarity how far "we've" come, because of this woman and her fight for equality, and it also underscores how much is at stake and how far backward we're moving with the despot on the throne and the same old white men calling the shots. The movie is worth going to, though, if you're in need of some galvanizing, if you want to see a fierce woman fight for everything that is good, partnered with a man who supported her every step of the way, and you wonder how the hell we're going to carry on her legacy with so much against us, because WE ARE, we have done it before and we will do so again, and we owe it to her for helping us.
More 3-Line Movie Reviews
Won't You Be My Neighbor?
Learning to Drive
Love and Mercy
Not a Three Line Movie Review
While We're Young
Ida
Force Majeur
Gone Girl
Saint Vincent
Get on Up
Begin Again
Chef
The Immigrant
Cesar Chavez
The Grand Budapest Hotel
Gloria
Labor Day
Philomena
Saturday, July 22, 2017
Monterey Breach: A Drone Short Film
These two have been friends since preschool.
Once upon a time, a little boy named Oliver made a whole lot of money selling lemonade on the corner of our street. He worked diligently and saved nearly all of it and began bugging his mother about spending that money, all at once, on a drone. His mother declined because that's a ridiculous thing to spend money on and you need to save that for college until, years later, it was clear that Oliver actually did want a drone and intended to do great things with it. It's my money, Oliver said. You're right, she said with a sigh. He bought the drone.
Oliver and Joe have been making incredibly inventive films for years. Oliver is game for acting and doing the bidding of Joe who is a preternaturally talented filmmaker and editor. You really can't believe how good Joe is until you see his stuff.
The Bird Photographer took Oliver up to Monterey this week to do a little drone photography and some whale watching. I'm not going to say how jealous I am (for obvious reasons), but Oliver -- on his first real whale-watching trip -- saw just about everything a person could dream of seeing on a whale-watching trip. Breaching whales, lunge feeding, Great White sharks, dolphins, etc. etc. I have yet to see a whale breach, and I've gone out about eight times which is privilege enough. I just love this state I've adopted as my home. It is truly glorious, and I'm so glad that my children are California-bred.
Oliver and Joe made this short film that they titled Monterey Breach: A Short Drone Film. It blew my mind so much that I think I'm going to have to lie about how I tried to get Oliver to buy that thing for years because I just knew he was going to make something great of himself with it. I told Joe that when he's a famous filmmaker, I'm going to tell everyone that he made short films with Oliver in my little bungalow long ago.
Make it full screen, turn up the volume and be wowed:
Thursday, April 30, 2015
On Set
So, I consented to appear with Sophie in a short film being made by a friend. I know what the guy does, and it's beautiful, exciting stuff, but I had no idea that what I was going to do was actually be a part of a real shoot, with lanes blocked off, a large city bus, some extras, a famous assistant director -- the whole shebang. It was cray cray, as The Big O likes to say and terribly interesting. At one point an older gentleman walked into the set, clearly one of Los Angeles' many homeless persons, and one of the workers politely asked him to walk behind that bench you see in the photo where I'm sitting. The homeless man was super polite and did so, but what struck me as inimitably LAish about the whole thing was when he said quite placidly, OH! I'm sorry. Ya'll are shooting a movie aren't you? as he walked on by. I was basically directed to be myself, a mother with her child sitting at a bus-stop and engaging wordlessly with a young man also waiting on the bus.So, that's what I did, even as I died a tiny death inside when the very large camera, held by the famous assistant director who is also an actor practically hit the tip of my nose. I think it all came out the way it was supposed to, however it was supposed to. The Director was pleased and said I'd done my thing which I believe is be Elizabeth, Sophie's mother who loves her very much. I wheeled Sophie past the set when they were finished with me, loaded her into the car and drove off. It's a big world, Reader, and a strange one.
Subscribe to:
Posts (Atom)






