Showing posts with label Saturday Three-Line Movie Review. Show all posts
Showing posts with label Saturday Three-Line Movie Review. Show all posts

Saturday, December 15, 2018

Saturday Morning Three-Line Movie Review



If Beale Street Could Talk

Every scene in this gorgeous movie is a work of art, subtle and beautifully lit, suffused with warmth and love, and there are eyes everywhere, eyes that look out at you and eyes that you look into and eyes that look at one another. The movie is heavy, so heavy that you can't get out from under while watching it, the under that is the history of black people in America, the under that is white supremacy, a smothering blanket, and the director, Barry Jenkins, spares nothing in his literal spareness. You can hold your breath while watching it, you can feel the love emanating from the lovers, from the families, from the shadows and darkness, but you just can't get out from under the grief, the loss, the suggestion that love is sometimes just not enough.











More Three-Line Movie Reviews

Green Book
Crazy Rich Asians
BlacKkKlansman
Far From the Tree
Sorry to Bother You
RBG
Won't You Be My Neighbor?
Learning to Drive
Love and Mercy
Not a Three Line Movie Review
While We're Young
Ida

Force Majeur 
Gone Girl
Saint Vincent

Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena


Sunday, June 10, 2018

Sunday Morning Three-Line Movie Review*



I, like millions of other children who grew up in the late sixties and seventies, loved Mr. Rogers with a quiet intensity, and while I've always attributed that love to how calm the show was, how devoid of the frenzy of the other children's shows (I was a rather serious child who disliked cartoons and all that yelling and banging), after watching Morgan Neville's beautiful documentary Won't You Be My Neighbor? I'm thinking it was more because I knew on some deep level that Mr. Rogers loved me. The documentary spends little time on Rogers' life and more on how he drew from his experience in child development and a deep spirituality (he was an ordained Presbyterian minister) to shape an inimitable show that celebrated and honored true human emotions without judgement. I teared up several times in the movie, particularly during the parts that demonstrated his love and attention toward children with disabilities and those of other races, and I left the movie wishing that he were still alive to shore us up in these terrible American times.



















*I used to write a Saturday Three-Line Movie Review and decided tonight to revive it on Sunday mornings, particularly if I've seen a movie (I don't go nearly as often as I used to). You can read other Three-Line Reviews here:


More 3-Line Movie Reviews

Learning to Drive
Love and Mercy
Not a Three Line Movie Review
While We're Young
Ida

Force Majeur 
Gone Girl
Saint Vincent

Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena


Saturday, February 6, 2016

Notes, Words, Lines (Saturday)



Note: The sunlight is water on the kitchen cupboards.

Note: Sophie is a delicate thing, a bird in a nest made of lavender and vibration.

Note: I registered to attend the Abilities Expo downtown this weekend, but I don't feel like it.





I'm reading Anne Boyer's Garments Against Women. Who told me about this writer? She makes me shiver.

Here's a bit:

Some people believe to know the fin is to know a shark, but this is an incorrect belief. The fin is not a fin of a shark at all though it is a reproduction shark fin strapped on a boy's back, and the boy with the reproduction fin does very much want to be a shark, wishes it a great deal, dreams some nights of being a shark in a great fleet of sharks in some unexplored sea where sharks are in fleets and somewhat even more powerful that the sharks of the daytime world have shark banks full of money and minnows. One could be, also, a person with a fabulous malformation of a shark fin on her back, who says often "please excuse the fin" but others look at the fin and say, "look at that grand shark with that awesome fin" when she is, underneath the fin, a person who is fond of peeling carrots for soup and a person who could otherwise just not help the fin that fortune dealt her. Some could be real sharks, the fin an adequate representation of sharkly reality: that's just the deal.





Last night, Henry and I went to see the movie Hail, Caesar. Remember my Saturday Morning Three Line Movie Reviews? Three words would suffice:


  1. Entertaining
  2. Unfinished
  3. Lazy





Saturday, August 22, 2015

Saturday Three-Line Movie Review

How beautiful is this shot?


Learning to Drive

It's been a long time since I've seen a quiet, sincere movie with fine actors and a deep and resonant script. Learning to Drive is about a friendship between two people, a driven New York book critic played by the always wonderful Patricia Clarkson, and a Sikh driving instructor played by the formidable Ben Kingsley . The movie has obvious metaphors, is about culture and marriage and divorce, but it's so finely wrought that nothing is obvious, and I left the theater deeply satisfied (not to mention wowed by Kingsley's pink turban and Clarkson's red hair) and -- dare I say it -- thrilled that movies like this are still made with quotes from Wordsworth, Tantric sex, Samantha Bee, one of Meryl Streep's daughters and one of J.D. Salinger's sons (another story that I'll tell you about some other time).














More 3-Line Movie Reviews

Love and Mercy
Not a Three Line Movie Review
While We're Young
Ida

Force Majeur 
Gone Girl
Saint Vincent

Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena









Monday, July 27, 2015

Cops and Firemen



It's pretty quiet round these parts with The Brothers on the east coast. I'm catching up with things, organizing, putting the old life in order, drinking vodka drinks, hanging with The Soph. I've got the first draft of MGDB and need to find an agent. Tips? Leads? Extra girds for the loins? I've got a meeting tonight at the neighborhood police station -- an orientation for parents of kids who want to be auxiliary police. Guess who? Big, big sigh with a slow, heavily accented good lord.  I'm trying to persuade him that cops while necessary and often wonderful are -- well -- cops. They carry all that shit on their belts, have clubs and tasers and bad haircuts and mirrored sunglasses and wear black leather boots that come up to their knees. How about firemen? is what I ask in my most gently persuasive tone. Tearful, if you're reading, please chant for The Big O and his mother.

I was going to write a Saturday three-line movie review of Amy, the documentary about Amy Winehouse, but I didn't get around to it. Here's a three word review:

Go see it.

Saturday, June 13, 2015

Saturday Three-Line Movie Review




love and mercy

This is a movie that you don't want to see alone as I did yesterday, as I've done a thousand times in order to keep what's sacred in my head, not have it be disrupted by opinion or someone breaking the spell, but love and mercy so overwhelmed me in its beauty and intensity that I left the theater in tears wishing there were someone, anyone, to hold. Paul Dano literally gets inside of Brian Wilson's head, at least I think he does, and I'm hard put to figure out whether it was the movie or the acting or Brian Wilson's head and thoughts and genius and soul or the whole shebang that left me so undone. I was one of those east coast girls who listened to The Beach Boys through a set of giant puffy headphones connected to a smoky plastic-covered turntable that sat on my green shagged carpeting, the beaches of southern California only a dream, but I had no idea, just absolutely no idea.












More 3-Line Movie Reviews


Not a Three Line Movie Review
While We're Young
Ida

Force Majeur 
Gone Girl
Saint Vincent

Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena














Saturday, June 6, 2015

Not a Saturday Morning Three-Line Movie Review and More On Being



I woke up this morning to two emails from two different friends, congratulating me on being highlighted in the weekly newsletter of On Being. That beautiful website posted my writing last week, seemingly out of the blue, and I am both overwhelmed and terribly honored to have been highlighted, too!

On another note, I had planned on doing a Saturday Three-Line Movie Review but will need far more lines to explain what happened to me the other night. Here goes.

I drove Oliver and his friend to the Dodgers game on Thursday night with a plan to drop them off and then go see the documentary Iris. We got a late start, though, and spent nearly an hour in the car trying to get there, so I couldn't make the movie after I'd dropped them off. I decided to drive to the nearest movie theater and just take my chances on whatever was showing at an appropriate time which happened to be Tomorrowland. Despite it being only PG which indicated perhaps more light fare than I was in the mood, and the fact that it was a Disney flick and I'm not a Disney person, it starred George Clooney whom I adore, so I bought a ticket. I also bought a chicken apple sausage with spicy mustard, a small popcorn (not buttered) and an iced-tea. Between the ticket and the food, I was out $32, but there's really nothing I like more than being at a movie, so I went in and began watching. Did I mention that because I've bought so many tickets at this particular movie theater, I received a free small container of those little ice-cream nuggets, too?

Reader, I ate the hot dog, the popcorn and the ice-cream nuggets in the first twenty minutes of the movie and then decided it was excruciatingly boring. I don't like science fiction or kid movies, to tell you the truth, which makes me not such a good person (so much for the On Being recognition!). I stood up and made my way out of the theater, glanced right and left to see whether there were any employees lurking about and then darted into the movie across the hallway, Entourage. I am not a person who ever did "bad" things, like sneaking into R movies when I was under-age or shoplifting or the like. I won't claim any kind of moral authority because the reason why I was always so "good" was because I didn't want to get caught. On top of that, I never did drugs or drank excessively -- not because I was morally above it all -- but rather because I was certain I'd be the person who died. I didn't have sex with my boyfriend in high school but not because I was saving myself for a husband or because I believed premarital sex was wrong. I didn't do it because I was too afraid of getting pregnant. My plan if such a thing happened (even though I wasn't having sex!) was to kill myself. I'm serious when I tell you that the only times I've gotten in trouble were when I was in a sky bucket with some other eighth graders at Six Flags Over Georgia, and one kid threw a cup of soda over and it landed on someone down below. Six Flags security met us at the end of the line and threw us out of the park. I was mortified. The other time was when I drove in a car with a bunch of kids up to North Carolina for what was known as The Ecology Club Ski Trip, and one boy went into a 7-11 and bought a trunkload of Coors beer (which at the time was only available in North Carolina and all the rage to folks in Georgia). Our car was promptly pulled over, and we were all taken to a small sheriff's station and questioned. I was beside myself and not just because the sheriff who questioned me was a sort of squeal like a pig Deliverance redneck who was eating a Spam sandwich and said to me, How'd you like a bite of my Spam sandwich, brown eyes? I was beside myself because I thought they'd tell my parents.

Anyhoo. Where was I?

So, I've slipped in the movie Entourage, found a seat and start watching. About five minutes in, I realize that this movie is dreadful, even more dreadful than the series and that I must leave. I get up and walk out and into another movie. The movie is Mad Max which I had no intention of watching given the violence, but because there's been so much hoopla around it and claims that it's brutal but feminist and beautiful to boot, I thought I'd give it a try.

It was 3-D.

Have I ever told you how much I hate 3-D movies? Getting glasses involved me going to the usher and claiming that I'd forgotten to pick up the glasses which involved lying about the ticket. I did it, though, and crawled back to my seat and began watching. I lasted about five minutes, though, before I realized that my glasses were broken. I think I realized this at the same time as about twenty other people who all began making their way down the stairs to the usher. We all stood in a clump while the usher walkie-talkied her co-workers, requesting new glasses. People were very upset because the movie was still going on, and we were missing it. I kept silent because -- well -- it seemed presumptuous of me to complain, right? Minutes ticked by and still no glasses, so the usher told us we could get a refund. I slipped out and went downstairs to get my refund. The lady asked me for proof of ticket purchase. Oh dear Lord, you're thinking. See? I was going to get caught. 

Instead I lied some more. I told her that I'd left my ticket in the theater and couldn't possibly crawl down the aisle and find it, especially given that my 3-D glasses were broken and had already twenty minutes of that fabulous movie! I was righteous! Without proof (I must have been sweating or had the tell-tale sign of criminality), the lady gave me a ticket to use at a future date rather than cash. I made a beeline out of the theater, paid $8.00 for parking because I couldn't possibly go back inside and get my ticket validated and then drove aimlessly around the shitty for about an hour before finally going home.

I had driven in Los Angeles rush hour traffic to Dodger Stadium and back, watched fifteen minutes of three different movies, eaten really bad food, compromised my morality and was out $40.

Reader, I suppose I could have written a Three Line Three Movie Review, but this was more fun wasn't it?


Saturday, April 11, 2015

Saturday Three-Line Movie Review



While We're Young

I am definitely a decade too old to truly appreciate this funny, light-hearted and sometimes ridiculous movie, but there were moments when I thought the director Noah Baumbach skated right toward brilliance and then backed off and kept with the smart, slick and predictable observations of a media-saturated, self-involved, privileged urban lifestyle. The movie grapples with some big cultural ideas, and despite my own aversion to both Ben Stiller (way too self-conscious bordering on obnoxious) and Adam Driver (unfair, admittedly, due to my dislike of that other show), their acting was so good and the story line so convincing that I found myself actually pulling for Ben Stiller's character for maybe the first time in --- forever. Other than that, the thought crossed my mind that Noah Baumbach might be too close to the culture he observes to really make an incisive statement about it, hence the skating analogy, but then I thought Fellini sure could do it and did it in La Dolce Vita, so -- well -- I'm old and glad to be just an observer rather than a participant.









More 3-Line Movie Reviews

Ida

Force Majeur 
Gone Girl
Saint Vincent

Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena

Saturday, December 27, 2014

Saturday Three-Line Movie Review



Ida

Directed by Pawel Pawlikowski, this Polish film set in the early 1960s and the Stalin dictatorship, is so staggeringly beautiful that I am hard put to even attach words to it. The title character is a young woman who has grown up in an orphanage run by nuns, and before becoming one herself, she is told by the Mother Superior that she must seek the truth of her heritage, a journey that leads to her aunt, an embittered yet valiant and beautiful woman, a state judge and loyal member of the Communist Party. Shot in black and white with an extraordinary number of still moments that defy all your expectations of what film -- moving pictures -- can do to your mind and heart, Ida made me gasp, mesmerized me and is my favorite movie of 2014.







More 3-Line Movie Reviews

Force Majeur 

Gone Girl
Saint Vincent

Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena


Saturday, November 22, 2014

Saturday Three-Line Movie Review



Force Majeure

This very dry and very smart black comedy tells the story of a Swedish family on vacation in the French alps, all middle-classy, struggling with the usual weight of children, marriage and middle age until something happens that literally shakes them all up. I don't want to give away the plot, but if you like really smart movies about the constraints of marriage, about wondering what the hell we're all doing, about what we might do during an incipient disaster, about what we're actually made of and the often absurd shackles of bourgeois lifestyles, you will be as entertained and admiring as I. Why do Americans make movies that cost gazillions of dollars yet are never this good?










More 3-Line Movie Reviews

Gone Girl
Saint Vincent

Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena

Saturday, November 1, 2014

Saturday Three-Line Movie Review



Birdman

Watching this movie was a bit like I imagine riding a roller coaster might be if I rode roller coasters and did so while listening to a pounding drum jazz soundtrack and then climbed off the ride and careened through dingy and claustrophobic Broadway theater hallways, perched on the edge of tall buildings and instead of jumping, decided to fly. Birdman is a wild, crazy ride of a movie that covers just about every cliche you can think of relating to theater, film, art, criticism of art, acting, the internet, mindfulness or the lack of presence, of being present in our insane digital world, yet cliche is somehow brilliantly avoided, and it just works. At the same time, despite the wonderful cast led by Michael Keaton and Edward Norton, and the wondrous editing that blurred reality and dream, I never felt transported out and off the edge of my seat but rather just exhausted from the ride.











More 3-Line Movie Reviews

Gone Girl

Saint Vincent
Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena

Saturday, October 18, 2014

Saturday Three-Line Movie Review



Gone Girl

I confess that I'm one of the few people in the universe that didn't unequivocally love the book (but rather thought it was one of the more hateful things I'd read in years) and had no intention of seeing the movie, but I was persuaded to do so when the alternatives were to attend a high school football game, hang out in the Valley or watch Dracula: The Truth Untold, so you can imagine my desperation and low expectations. Despite the visual candy that is Ben Affleck and Rosamund Pike, I maintain that just like the novel, the movie is a slick and soul-less creation with no sympathetic characters that made me long for the halycon days of real thrillers and intimate portraits of marriage and lust, not to mention a hot shower. When my children texted me about two hours in that the football game had ended, I gratefully clambered over the rapt audience and left the theater, missing not only Ben Affleck's supposedly glorious netherparts, but also, evidently, and as usual for me, the depressing cultural zeitgeist in this, the two thousand and fifteenth year of our lord.










More 3-Line Movie Reviews

Saint Vincent

Get on Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena

Saturday, October 11, 2014

Saturday Three-Line Movie Review



Saint Vincent

The only reason I'd even mention the movie Gone Girl here is not because I went to see the movie (and I won't because I hated, really hated the book), but because I want to prove that I'm not some kind of reactionary or pretentious contrarian. I really can't get enough of Bill Murray and realize that you probably can't, nor can you or you or you. Bill Murray in Saint Vincent is Saint Vincent, the supporting cast, brilliant little planets to his sun, and me (and you and you and you) bathed in light for having watched the show.








More 3-Line Movie Reviews

Get on Up

Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena


Saturday, September 13, 2014

Saturday Three Line Movie Review



The Trip to Italy
dir. Michael Winterbottom


Two handsome in the way that I like middle-aged men go on a culinary tour of Italy, retracing the steps of the Romantic poets, namely Lord Byron, keeping up a steady stream of witty banter and driving along the requisite Italian roads with breathtaking views of the Mediterranean . They do brilliant improvisations of famous actors while bemoaning their own advancing age, receive the exquisite offerings of food brought to them in perfect Italian restaurants, converse with their families back home and people they meet on the road, conveying in a charming and poignant, utterly original way what longing means -- even what it means to be human. I floated out of the movie to strains of Italian opera and am now officially completely smitten by Steve Coogan.











Other Three Line Movie Reviews


Get On Up
Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena

Saturday, August 2, 2014

Saturday Three-Line Movie Review



Get On Up

Before last night, I knew nothing about James Brown other than that he was an entertaining entertainer who screamed a lot, did splits on the stage in outrageous funky outfits, was a bit of a lunatic, had gone on a wild car chase from the cops sometime in 1988 when I was living in Nashville, TN and married to a musicologist (me, not him) and was called The Godfather of Soul. Now I know from the wonderful, rollicking biopic that he was an incredibly complex man whose mother abandoned him to an abusive father who then abandoned him to an aunt who was the kind madam of a whorehouse, where he became greatly influenced by gospel music and morphed into the James Brown that we think we know. It's hard not to smile throughout this movie while you're nodding your head, wiggling your hips and tapping your feet, thankful that a man with so much talent can emerge from so much hardship and sorrow and make his complex mark, for better or worse, on a world that essentially remained oblivious to how he got there.












More 3-Line Movie Reviews

Begin Again
Chef
The Immigrant

Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena

Sunday, July 20, 2014

I couldn't call it a day without replacing those raptor-headed women on the previous post with these lovely children



Home from camp for less than 24 hours, Oliver was already outside in our yard, watering the lemons and vegetables. We have a serious drought going on, if you hadn't heard, and we're obeying water restrictions. That's why our lawn looks so awful. I wish I could enlist someone to do a complete overhaul of our front and back yards -- make them drought resistant. Maybe we'll do it ourselves in a grand, homeschool-style effort this fall.



Henry and I went to see the movie Boyhood the other evening and then took a bunch of photos on the top of the Arclight Cinemas parking garage. The glorious sunset helped to mitigate the obliteration I felt watching the film. It was incredibly beautiful and interesting, and I haven't gotten around to writing a three-line movie review, but I will. Here's what the sky looked like:





And here's Henry's hand in the sky:




I'm going to miss those boys. They're leaving tomorrow for a trip to my parents' house in Atlanta and then onward to Hilton Head Island. We've been joking all night on when they might catch sight of a person carrying a gun -- legally -- in either state. Good Lord. I will join them for a few days next week, but this house is going to be quiiiiiiiiieeeeettttt, for sure.

Saturday, July 12, 2014

Saturday Three-Line Movie Review



Begin Again

It took a sold-out afternoon matinee of another movie that I really wanted to see and had driven too far to see, that propelled me toward buying a ticket to a movie with the ubiquitous Kiera Knightly (whose acting chops, in my opinion, are minimal and who has that irritating quality of seeming always to be projecting an aren't I a beautiful and thin Actor?).  The presence of Mark Ruffalo, one of my favorites, and Catherine Keener, who makes me glad to be middle-aged,  looked to be redemptive, so I plunged in and was delightfully surprised by this quiet and not-always predictable little gem of a movie. As a down and out alcoholic music producer who drives an old beater Jaguar and lives estranged from his wife, struggling to be a decent father to his almost-lost teenaged daughter, Mark Ruffalo's character gave me that weak-in-the-knees feeling, and even Kiera's reedy singing voice was charming enough that I was lost, lost, blessedly in other people's stories.





More 3-Line Movie Reviews

The Immigrant
Chef
Cesar Chavez

The Grand Budapest Hotel
Gloria

Labor Day 
Philomena

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